Le Salon OubliéSublimation Dye Print on Aluminum
40” x 60” (Framed 41” x 61”)
Signed Edition of: 7

Just opposite the gilded gates of the Château de Versailles, the Petite Écurie (completed 1682 for King Louis XIV) once served as the royal stables for the court and visiting nobility. Today, part of this historic complex quietly shelters an extraordinary collection of moulages—plaster casts from classical sculptures, including Vatican masterpieces, alongside marble replicas. These casts have been used for centuries to preserve and recreate the statuary throughout Versailles, including the restoration of the famous bronze of Hermès du Belvédère in the 1920s. Gathered in quiet ranks, the figures here seem to await their cue, evoking a forgotten salon of ancient gods and heroes, paused in elegant exile.

Le Salon Oublié

Sublimation Dye Print on Aluminum

 40” × 60” (Frame 41” × 61”)
Signed Edition of: 7

30” × 45” (Frame 31” × 46”)
Signed Edition of: 10

Signed, titled, dated, and numbered on artist’s label on verso
 

Just opposite the gilded gates of the Château de Versailles, the Petite Écurie (completed 1682 for King Louis XIV) once served as the royal stables for the court and visiting nobility. Today, part of this historic complex quietly shelters an extraordinary collection of moulages—plaster casts from classical sculptures, including Vatican masterpieces, alongside marble replicas. These casts have been used for centuries to preserve and recreate the statuary throughout Versailles, including the restoration of the famous bronze of Hermès du Belvédère in the 1920s. Gathered in quiet ranks, the figures here seem to await their cue, evoking a forgotten salon of ancient gods and heroes, paused in elegant exile.
 

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