Cadre vert paysagéConstructed between 1703 and 1721, the Château de Champs-sur-Marne stands as a refined example of early 18th-century French classical architecture, attributed to architect Pierre Bullet. This composite image layers views of the château’s formal gardens and front entrance to reveal new perspectives on its timeless elegance.
At the center, the château itself appears mirrored, grounding the composition with its stately presence. Flanking the foreground, delicate wildflowers grow along the edges of a window frame near the entrance, their fragility contrasting with the grandeur behind them.
Surrounding this core, mirrored pairs of white marble urns evoke the neoclassical spirit, set before sculpted topiary trees. Shifting perspectives transform the formal landscaping into a dynamic green living frame for the architecture, revealing new angles and relationships.
Sublimation Dye Print on Aluminum
44" X 60” (Framed 45” x 61”)
Signed Edition of: 5
30" X 22” (Framed 31” x 23”)
Signed Edition of: 7
Signed, titled, dated, and numbered on artist’s label on verso.
Cadre vert paysagé
Sublimation Dye Print on Aluminum
44” × 60” (Frame 495” × 61")
Signed Edition of: 7
30” × 41” (Frame 31” × 42”)
Signed Edition of: 10
Signed, titled, dated, and numbered on artist’s label on verso
Constructed between 1703 and 1721, the Château de Champs-sur-Marne stands as a refined example of early 18th-century French classical architecture, attributed to architect Pierre Bullet. This composite image layers views of the château’s formal gardens and front entrance to reveal new perspectives on its timeless elegance framed by cultivated greenery.
At the center, the château appears mirrored, anchoring the composition with its symmetrical form. In the foreground, wildflowers and soft traces of moss gather near the weathered frame of an 18th-century window—their quiet, fleeting presence offering a poignant contrast to the formality of the gardens and the grandeur of the château.
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