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Cadre Palais Royal, ParisComposed from a mirrored quadrant of the Palais Royal’s neoclassical façade, this image reframes the architectural grandeur of 18th-century Paris into a new kind of viewing device. At its core, a precise alignment of cornices, windows, and sky creates a geometric “oculus,” surrounded by rhythmically repeated windowpanes.
Through this structure—ornate yet restrained—emerges an unexpected apparition: a single waterlily from Monet’s Nymphéas Bleus, suspended in the center. The effect is both formal and fluid, suggesting a conversation across centuries: from the ordered elegance of Enlightenment-era design to the immersive atmosphere of late Impressionism. The photograph becomes a frame for impossible connections—between architecture and painting, structure and dream.
Sublimation Dye Print on Aluminum
48” × 48” (Frame 49” × 49”)
Signed Edition of: 5
39” × 39” (Frame 40” × 40”)
Signed Edition of: 7
24” × 24” (Frame 25” × 25”)
Signed Edition of: 10
Signed, titled, dated, and numbered on artist’s label on verso.
Cadre Palais Royal, Paris
Sublimation Dye Print on Aluminum
48” × 48” (Frame 49” × 49”)
Signed Edition of: 7
39” × 39” (Frame 40” × 40”)
Signed Edition of: 10
Signed, titled, dated, and numbered on artist’s label on verso.
Composed from a mirrored quadrant of the Palais Royal’s neoclassical façade, this image reframes the architectural grandeur of 18th-century Paris into a new kind of viewing device. At its core, a precise alignment of cornices, windows, and sky creates a geometric “oculus,” surrounded by rhythmically repeated windowpanes.
Through this structure—ornate yet restrained—emerges an unexpected apparition: a single waterlily from Monet’s Nymphéas Bleus, suspended in the center. The effect is both formal and fluid, suggesting a conversation across centuries: from the ordered elegance of Enlightenment-era design to the immersive atmosphere of late Impressionism. The photograph becomes a frame for impossible connections—between architecture and painting, structure and dream.
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